Monday, October 26, 2009

Practical Things Like Stories and Eurythmy

Grasshopper Productions will soon be presenting a Fairy Tale in eurythmy at the Toronto Waldorf School, and Jonathan Snow wrote this piece for parents in the school newsletter as a general introduction. - MM

Fairytales have been used from the dawn of mankind to convey wisdom to new generations of listeners. Raised to the status of "Volksgut" - cultural heritage of a people - by the scientific endeavours of men like the Grimm brothers during the Romantic era, they became used to convey moral lessons to children. A century later, modern psychology revisited tales and myths, using them as maps of the forces at work in the human psyche, most of which remain largely hidden from our waking consciousness. C.G. Jung argued that each of the different characters in these stories represented archetypal forces active within the soul of a single person. Rudolf Steiner indicated that the characters in fairytales may be direct representations of invisible but very concrete forces, which we can call spiritual beings, which are represented using imagery from the world perceptible to our everyday consciousness. In any case, we have slowly rediscovered that fairytales are not mere childish trifles, but are vehicles of great wisdom from which we as adults can profit.

Eurythmy, which strives to make visible that which normally remains hidden, is a medium of choice for conveying the many sheaths of a fairytale to an audience. It easily frees itself from representational realism, where clothing, mannerisms, etc. of a specific culture are reproduced as accurately and authentically as possible. Rather, eurythmy gives itself the task of conveying an accurate picture of the deeper truths embedded as seeds in works of art. To do this, it uses different qualities of movement and colours (in costumes and lighting), to show visual archetypes and create various moods, and thus speaks a language that reaches us beyond our intellectual comprehension.

The spoken word as conveyer of wisdom is not limited to a role of preserving past tradition. Poetic endeavours in all times seek to capture the essence of our world - visible and invisible - as the poet in all his modernity perceives it. Again, in poetry as in fairytales, we have a language that addresses far more than the human intellect. That which a text wishes to convey may be amplified by eurythmy using the same means as for fairytales. And, whereas fairytales offer us a plot to hold on to, poetry may leave us with no such anchor. So for those of us who have difficulty finding the entrance into modern lyrical art, eurythmy can serve as a kind of subtitles for the messages between the lines.

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